Mary Cecile Gee
510.331.5924
minustides@pacbell.net |
2201 West Street
Unit F
Oakland, CA 94612 |
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| Education |
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| 1998 |
M.F.A. California State University, Fullerton, CA |
| 1988-89 |
Art Center College of Design, Pasadena, CA |
| 1980-81 |
Kansas City Art Institute, Kansas City, MO |
| 1973-78 |
B.A. Sarah Lawrence College, Bronxville, NY |
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Fine Art History
Selected Exhibitions
(*Solo Shows) |
| 2007 |
* field equations: an (accidental) self-portrait, S.C.A.P.E., Corona del Mar, CA |
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PlayitGround, Don O'Melveny Gallery, Los Angeles, CA |
| 2006 |
UNIFEM, S.C.A.P.E., Corona del Mar, CA |
| 2002 |
* Bone Orchard, The Shed, Newport Beach, CA |
| 2001 |
Irrational Exhibits, Track 16 Gallery/Bergamot Station, Los Angeles, CA |
| 1999-2000 |
A Gathering of Angels, Angels Gate Cultural Center, San Pedro, CA |
| 1998 |
* Monody (for Dada), Side Street Projects, Santa Monica, CA |
| 1997 |
* Evidence, California State University, Fullerton, CA |
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10 x 10, Beyond Baroque, Venice, CA |
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Our Bodies in Question, a performance of Eruptions in the Ordinary (no. 3), |
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Southern California Women's Studies Conference, Fullerton, CA |
| 1996 |
Bookends, Orange County Center for Contemporary Arts, Santa Ana, CA |
| 1995 |
Standards, California State University, CA |
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Drawing into the 90's, Texas Fine Arts Association, Art on Tour Program, |
| 1994 |
LAX, L.A.C.E., Los Angeles, CA |
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Treading on Hallowed Ground, Guggenhein Gallery, Chapman University, Orange, CA |
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Drawing into the 90's, Texas Fine Arts Association, Art on Tour Program |
| 1993 |
Drawing into the 90's, Texas Fine Arts Association, Laguna Gloria Art Museum, Austin, TX |
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Living Room Art, NCJW/L.A. Art & Action Project, Los Angeles, CA |
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Works on Paper (juried by Ann Philbin), San Jacinto College South Gallery, Houston, Texas |
| 1992 |
Memory Inserts, Far Bazaar, Federal Reserve Building, Los Angeles, CA |
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Crossing Over, South Bay Museum of Contemporary Art, Torrance, CA |
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Post-Photo, L.A., Angel's Gate Cultural Center, San Pedro, CA |
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Outsides, Pasadena, CA |
| 1991 |
1991 Membership Exhibition, Angel's Gate Cultural Center, San Pedro, CA |
| 1990 |
Screens & Boxes, Gallery of Functional Art, Santa Monica, CA |
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Five women, Highways Performance Space, Santa Monica, CA |
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Multiples, Chastain Gallery, Atlanta, GA |
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Multiples, Nexus Gallery, Atlanta, GA |
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Books & Bookends: Sculptural Approaches, Nationwide Tour |
| 1989 |
Books & Bookends: Sculptural Approaches, Strathmore Hall Arts Center, Bethesda, MD |
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Nineteen Hundred and Eighty Nine, Site Gallery, Los Angeles, CA |
| 1988-1989 |
Art Center College of Design (Main Art Gallery - group exhibitions), Pasadena, CA |
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| Lectures, Essays & Curatorial History |
| 2005 |
Landscape: Themes and Variations (Catalogue: Introduction), curated by Josine Ianco, Southern Oregon University, Ashland, OR |
| 2000-03 |
Performance and Conceptual Art, Docent Training Lecture, Orange County Museum of Art, Newport Beach, CA |
| 2002 |
The Evolution of the Human Body, Lectures at Noon series, Orange County Museum of Art, Newport Beach, CA |
| 2001 |
The Cultural Origins of Everyday Objects, Lectures at Noon series, Orange County Museum of Art, Newport Beach, CA |
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Ephemeral (co-curated with Patrick Merrill), California State Polytechnic, Pomona, CA |
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Ephemeral (essay), California State Polytechnic, Pomona, CA |
| 2000 |
Performance Coordinator, Bank Vault Ball, Side Street Projects, Los Angeles, CA |
| 1999-2000 |
Exhibition & Programs Committee (member), Side Street Projects, Los Angeles, CA |
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Film/Video/Performance Committee (member), Side Street Projects, Los Angeles, CA |
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| Reviews |
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| 2003 |
Artweek, "Mary Cecile Gee at The Shed" by Rick Gilbert. (February, 2003) |
| 2002 |
Coast, "Bone Orchard" by Lauri Mendenhall. (October, 2002) |
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OC Metro, "Radical Opening" by Liz Goldner. (October, 2002) |
| 2000 |
Los Angeles Times/SoCal Confidential, Bank Vault Ball review. (April, 2000) |
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Downtown News/Around Town, Bank Vault Ball review. (April, 2000) |
| 1998 |
Los Angeles Times/Westside Weekly, "Signs of the imeTs" by Tamara Hunt. (March, 1998) |
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Focus/Das Moderne Nachrichtenmagazin, "Dada-Dichtung". (April, 1998) |
| 1995 |
Artweek, "LAX 94 at LACE..." by Daniella Walsh. (February,1995) |
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L.A.Weekly/Art Picks of the Week, "Sincerity and Other Peccadillos, Lax 94 at LACE" by Peter Frank. (December, 1995) |
| 1994 |
Los Angeles Times, "Bravura Highlights 'LAX/94' at LACE" by Susan Kandel. (December, 1994) |
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Los Angeles Times/Orange County, "Weighing Religious Pros and Cons" by Cathy Curtis. (November, 1994) |
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Treading on Hallowed Ground, show essay by Jacki Apple. (November, 1994) |
| 1993 |
Visions, "Sleight of Hand, Click of Shutter: Photo Opportunities in Southern California" by Timothy Nolan. (Spring, 1993) |
| 1990 |
Atlanta Journal and Constitution, "Exhibit offers delightful art in 'Multiples'" by Jerry Cullum. (September, 1990) |
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Washington Review, Art Reviews by Susan Tamulevich. (April, 1990) |
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L.A. Weekly, Readings Pick of the Week, "Selective Remembrance" by Doug Sadownick. (February, 1990) |
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| Catalogues |
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A Gathering of Angels, Angels Gate Cultural Center, San Pedro, CA |
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LAX 94, Los Angeles Contemporary Exhibitions, Los Angeles, CA |
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Drawing into the 90's, Texas Fine Arts Association, Austin, TX |
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Multiples, Chastain Gallery, Atlanta, GA |
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Books & Bookends, Strathmore Hall Arts Center, Bethesda, MD |
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